Tag Archives: Biff Hooper

24: THE SHORT-WAVE MYSTERY

 

24

Who Wrote It?: Franklin W. Dixon

C’mon, Who Really Wrote it?: Leslie McFarlane in 1945.  And yes, as World War II comes to an end, so does the great Mr. McFarlane’s participation in this series comes to a close.  This is the last Hardy Boys book he wrote, so let me take a moment and thank him for wonderful childhood memories.  Yes, I know, his originals were 25 chapters and written in a more complex manner than the revisions, and what I’m reviewing are the revisions.  But he gave us the Hardy Boys, and for that I am thankful.

Was It Revised?: Yes, in 1966 by Priscilla Baker-Carr.  Just as we say goodbye to Leslie McFarlane, we now say hello to Ms. Carr for she will be revising most of the next dozen or so books.  Ms. Carr, you are now in the spotlight.  Welcome.

Cover: Rudy Nappi.  The red and yellow habit is being carried on by Joe.  This steps back from the recent abstract covers and returns to the classic look: Frank and Joe staring at danger.  This one is a night scene with blowing snow, Frank using his short-wave radio, Joe peering in at some nefarious doings.  Great cover.

Setting: Bayport, and briefly Canada.

Where’s Fenton This Time?: He’s got his routine down pat: be part of some related part of the case that keeps him out of his kid’s hair until he’s needed in chapter XX on Deus Ex Machina airlines.

Which Chums Show Up?: Chet, with Biff, Tony, Phil, Callie and Iola showing up a bit.

What’s Chet’s Hobby This Time?: Taxidermy.  No, he won’t use it after this book.  His closet must be stuffed with old hobby tools…

Aunt Gertrude’s Dessert: Made some nice meals, but no pie.  I’m getting impatient.  And hungry.

Plot: Some strange short-wave transmissions get picked up by Frank and Joe, and some business espionage, and missing jewels, and stuffed animal heads that carry a secret, and juvenile delinquents that Frank and Joe take care of (hi, 1966).  Yes, it all ties together.

Review:  Classic Hardy Boys.  A good mystery involving code words, Chet’s hobby is the center of the Bayport universe, the stuffed animal plot is fun and clever.  It moves.  It works.

Score: 7

23: THE MELTED COINS

23

 

Who Wrote It?: Franklin W. Dixon

C’mon, Who Really Wrote it?: Leslie McFarlane in 1944.

Was It Revised?: Yes, in 1970 by Andrew E. Svenson, one of two he revised, and the second since book 7, The Secret of the Caves.  But Mr. Svenson starts to write his own books soon, but his originals were written about twenty years earlier and were then rewritten by others about the time Mr. Svenson was revising this book.  Confused yet?  Imagine how Mrs. Svenson must have felt when Andy explained it to her.

Cover: Rudy Nappi.  Red and green, somewhat abstract, with Joe holding the secret contents of the briefcase from Pulp Fiction.  And a big, crooked mask looming over them that as a kid I found very helpful in picturing what they were talking about in the book.  A nice, bold cover.

Setting: Upstate New York.  You do know that Bayport is in New York for real, right? Well, they travel to various places upstate, including Niagara Falls.

Where’s Fenton This Time?: Stage left.  He’s off on a different angle of the same case, and then at the end he literally solves Frank and Joe’s case for them while staying offstage until the very end.  Very odd to have it happen that way, making for a bit of an anti-climax climax as the boys wait around waiting to hear if dear old dad wraps up their case for them.

Which Chums Show Up?: Chet, with Biff and Tony making the most deus ex machina entrance of all time and then disappearing again to go fishing.  I’m not kidding.

What’s Chet’s Hobby This Time?: Eating corn soup, evidently.

Aunt Gertrude’s Dessert: None, but she makes a brief appearance to make a salami and cream cheese sandwich for Chet.  Why that kind?  It’s needed later as a clue, so it had to be a weird sandwich that would stand out.

Plot: A Native American mask goes missing, the boys try to find it, while immersing themselves in the community.

Review:  It’s not bad overall.  In fact, despite the unfortunate use of “redskins” (and by a Native American character at that!) that can be chalked up to the ignorance of its time, this book tries hard to be fair to them.  They get nuanced characters, prejudice on both sides is shown to be pointless and harmful, and respect is shown to the culture.  As for the mystery, it’s limited, but interesting, and the bad guys are not the typical ones.  It’s a fun book.

Score: 8

22: THE FLICKERING TORCH MYSTERY

22

 

Who Wrote It?: Franklin W. Dixon

C’mon, Who Really Wrote it?: Leslie McFarlane in 1943. After five in a row of John Button, and five I was not especially fond of, the master is back with only two more to his name yet to come.

Was It Revised?: Yes, in 1971 by Vincent Buranelli, the second revision he did along with his later originals. I didn’t care for his other revision, The Mystery of the Flying Express, giving that one a very low 4 score. Will Mr. Buranelli do better with a McFarlane?

Cover: Rudy Nappi. Is there red and yellow? A little, but this is green on purple and oh, so 70s I could just ease on down the road with a funky song in my heart. This is like a James Bond poster if they wanted to imply Sean Connery was really hitting the good stuff this time. Very dated, but the use of color is striking, and it certainly symbolizes the plot.

Setting: Bayport, and nearby.

Where’s Fenton This Time?: Working another angle on the case with Sam Radley, but he shows up and helps out here and there. Mostly in the series recently he’s been there to say, no, he can’t do that dangerous step, but sure, the boys can, just be careful, OK? What does he think an 18- and 17-year-old will say to that question?

Which Chums Show Up?: Chet, Callie and Iola, Biff and Tony, Phil, the whole band, and yes, I mean band. Just like in 1971 Josie and the Pussycats were a band, and the Archies were a band, now the Hardy Boys are a band. This is not as egregious as it could be because there are other books where the boys are into playing music, but man, this Bayport band formed quickly. I’m just sayin’.

What’s Chet’s Hobby This Time?: Building airplanes. Say what?! I mean, c’mon, play fair with the reader, willya? We get it. This is a plot about airplane parts, so you needed Chet to build an airplane. But he never showed interest in flying before, and he doesn’t remain interested afterward. I call shenanigans.

Aunt Gertrude’s Dessert: No dessert for you!

Plot: A plane crashes upon approach to an airport, there is a plant with a tower that flickers flames, there is a nightclub called The Flickering Torch, basically this plot is whatever they needed it to be. This book is  known for its radical change from original version to this revised version. Mr. Buranelli wanted to show the boys being cool, so it’s folk rock to the rescue. Uh huh…

Review:  Has its moments, but this one is dated from its too-70s cover to the type of music they play to the way the audience reacts to the music to the ridiculous lengths the bad guys go to foil the Hardy Boys. And where was Jack Wayne in a story all about flying? But I give it an extra point for the end fate of Frank who is drugged and planned to be pushed out a plane into the ocean. Way to show hostility toward the characters, Mr. Author!

Score: 6

21: THE CLUE OF THE BROKEN BLADE

 

21

Who Wrote It?: Franklin W. Dixon

C’mon, Who Really Wrote it?: John Button in 1942, the fifth of his five books in a row.  Mr. Button is now done with the Hardy Boys.

Was It Revised?: Yes, in 1969 by Richard Deming, the only one he did.  Mr. Deming, this is your book.

Cover: Rudy Nappi.  Is there red and yellow?  Not really.  We seem to be going into the abstract period now, and this one is blue, blue, blue.  Frank and Joe fence, someone stares at them behind a mask, and a broken blade reminds us of the title.  It’s OK, well made.  I’m not as big a fan of the abstract ones.

Setting: Bayport, and California, this is Frank and Joe go to Hollywood, sorta, which is nothing like Frankie Goes to Hollywood.  Just sayin’.

Where’s Fenton This Time?: Oh, he goes on vacation with the missus until they both show up in the most unlikeliest of places.  Fans of Laura Hardy — this is your book.  She actually gets to help.  Briefly.  Then the Hardy Boys syndicate shuts her down real quick and we get back to normal.

Which Chums Show Up?: Chet (honorary Hardy Boy at this stage), Callie and Iola, Biff and Tony.  Only Chet gets the big part, and no, I’m not making fun of his weight, which is more than I can say for Frank and Joe for whom no occasion is so solemn as to prevent them from making fun of Chet’s weight.  Way to show empathy, boys…

What’s Chet’s Hobby This Time?: Fencing, as is also the hobby of Frank and Joe and Biff and Tony, not one of whom ever fences again, but they are expert enough in this book to get hired on the spot as fencers and trusted enough to run a fencing school by themselves.  Mr. Deming, we figured out your interest in life, and you crammed it into the plot.  Still, if you have a kid who likes the idea of fencing, this is his book!  But don’t turn your back on that kid…

Aunt Gertrude’s Dessert: “Pieces” of rhubarb pie, three of them for Chet.  Aunt Gertrude never made fun of Chet…

Plot: An inheritance inscribed on a blade, but the blade has been missing for decades.  Wanna bet the boys find it by chapter XX?  Hey, Frank and Joe, we never found Jimmy Hoffa, wanna take a crack at it?  Anyway, the clues lead to Hollywood, an odd screenwriter, a movie being made, and enough crooks running around to baffle anyone trying to make sense why this case is that important.  Mostly everyone fences.  Yeah, we get it, Mr. Deming, fencing is cool, or something.

Review:  Eh.  I’m a little tired of the boys getting on a case involving, say, broccoli, and then suddenly every crook in town is suddenly into broccoli, and willing to kill to keep you from discovering they like broccoli.  Hey, I think I smell a new Hardy Boy mystery: The Clue of the Overcooked Broccoli.

Score: 5

17: THE SECRET WARNING

17

Who Wrote It?: Franklin W. Dixon

C’mon, Who Really Wrote it?: John Button and Leslie McFarlane in 1938 — Wait, what? Leslie McFarlane  took a break after this one, as he really wanted to do as he didn’t think much of these “juveniles” that he wrote for money.  So this one was partially written by him and partially by Button (unbeknownst to McFarlane).  Editing mixed them together into a bit of a mishmash. Don’t worry, though, McFarlane will be back for another few books starting with #22.  For now, it’s Mr. Button.

Was It Revised?: Yes, in 1966 by James D. Lawrence, one of three he revised and the second in a row after A Figure in Hiding.

Cover: Rudy Nappi, red and yellow as is typical, but this time the Sleuth is shown in a gorgeous night shot with the lighthouse in the background.  Very solid cover.

Setting: Bayport and its surroundings, with a couple of jaunts to Manhattan.

Where’s Fenton This Time?: As usual, on a case that is related to this case.

Which Chums Show Up?: Chet a bit, Biff, Tony, Jerry, Phil, Iola and Callie for brief stretches.

What’s Chet’s Hobby This Time?: None, he must be bored.

Aunt Gertrude’s Dessert: Nothing.  Again!  Tivoli the Great Dane gets treated better than the boys in this one.  I’ve already posted a complaint to the Great Dane Society, so relax.

Plot: A King Tut-like golden bust worth — pinky to  mouth — ONE MILLION DOLLARS, a sunken ship near Bayport (natch), a couple of rival deep sea divers, you know, the usual.

Review:  Doesn’t read like a pure McFarlane, that’s for sure.  This one has all the characters, but it’s off.  I do like the climax though where some kindness shown comes back to reward the boys.  It’s not a typical climax, it’s more of an adventure at sea ending, not the crooks holding a gun to the boys ending.  You know what I think?  In 1966 James Bond was HUGE.  Thunderball had already come out with its Oscar-winning underwater photography of skin divers fighting.  I’m guessing the rewrite tried to capture a bit of Thunderball.

Score: 6

16: A FIGURE IN HIDING

16

Who Wrote It?: Franklin W. Dixon

C’mon, Who Really Wrote it?: Leslie McFarlane in 1937

Was It Revised?: Yes, in 1965 by James D. Lawrence, one of three he revised and this was his first.

Cover: NOT Rudy Nappi!  The only one of this entire series that was by someone else: John Leone.  But hey, no matter who does the cover, red and yellow are prominent.  This time it’s Frank climbing a tree to see the figure in hiding.  It’s an OK cover, kind of static despite it being an action scene.

Setting: Bayport.  Nothing but Bayport, that amazing town where crooks stumble over each other stealing every jewel in town.

Where’s Fenton This Time?: Oh, he’s around, but for the first half of the book he’s off on another case.  Then he joins the boys on this case, and quickly manages to get caught and in a steamy situation (ya gotta read it to understand that — what, you think there’s going to be sex?  In the Hardy Boys?!)

Which Chums Show Up?: Chet, Biff, Tony, Callie, Iola.

What’s Chet’s Hobby This Time?: Physical fitness.  BWAAAHAHAHAHA!

Aunt Gertrude’s Dessert: No dessert for you!

Plot: Complicated.  Fake eyes, evil eyes (relax, remember the Scooby Doo rule), a health farm where Chet gets a job, stolen cars, a hydrofoil, a stolen jewel, I mean, this plot has everything.  Oh yeah, someone is in hiding.  But he’s all over the place for most of the story, so good luck trying to figure out who the figure in hiding is.

Review:  Despite it all, I kinda like this one.  It’s in Bayport, the chums do their chumly things, crooks are all over town, there’s mystery all over town, it’s a fun ride.  Not the most memorable one — good luck remembering this plot six weeks later, whereas no one forgets the plot of The Sinister Signpost — but a fun ride.  It’s like a movie full of action that is just a fun popcorn flick.

Score: 7

15: THE SINISTER SIGNPOST

15

Who Wrote It?: Franklin W. Dixon

C’mon, Who Really Wrote it?: Leslie McFarlane in 1936

Was It Revised?: Yes, in 1968 by Tom Mulvey, one of five he revised and the first since The Mark On The Door.

Cover: Rudy Nappi, red and yellow but this time Frank is wearing blue.  What a great cover this is!  Frank and Joe are dodging a classic looking sports car that is falling apart because of the sinister signpost.  Great action depiction that is like a Hollywood movie poster in that it shows something that is thematically correct while at the same time showing a scene that never occurs in the story.

Setting: Bayport and Maryland for a little horse farm subplot and Vermont for a brief side story, but mostly the region around Bayport.

Where’s Fenton This Time?: By the phone.  Seriously.  At every turn of the story, Fenton suggests Frank and Joe go out into action while he waits by the phone in case the police call or the crooks call or his bookie calls — OK, not that last one.  Mr. Deus Ex Fenton doesn’t even fulfill that role.  Instead he gets his sorry butt captured and it’s up to Joe to be heroic and save the day, with a big assist from Chet.

Which Chums Show Up?: Chet a lot, and Biff and Tony for a brief scene.

What’s Chet’s Hobby This Time?: Bicycle with rockets.  Yes, you read that right.  No, I’m not kidding.  Yes, of course it comes into the story.

Aunt Gertrude’s Dessert: Coconut-custard pie, and later on an apple pie.

Plot: A factory making experimental motors (and man, does Bayport have a lot of experimental, top-secret factories around town) is the victim of information being leaked somehow.  Plus race cars get their windshields clouded by some sort of device installed in street signs.  And Aunt Gertrude inherits a horse farm in Maryland that is not as irrelevant to the plot as you might think.

Review:  I like this one.  From its top-notch (pun intended, if you’ve read the book) cover, to its Bayport setting, and lots of flights by Jack Wayne who never seems to mind being asked to do anything, this one has a lot going for it.  A good mystery that needs to be solved, subplots that tie into the main plot, twins, car racing, it’s fun.

Score: 8

11: WHILE THE CLOCK TICKED

11

Who Wrote It?: Franklin W. Dixon

C’mon, Who Really Wrote it?: Leslie McFarlane in 1932

Was It Revised?: Yes, in 1962 by James Beuchler

Cover: Rudy Nappi, red and yellow as is typical.  What is not typical is this cover is a massive spoiler!  One of the two key mysteries of this book is solved for you right on the cover.  Oh, Mr. Nappi, it’s a good thing you didn’t paint this cover in the 21st-century — Twitter would have been all over you for doing this.  But back to the cover, it’s a solid entry.  The boys are not just staring at trouble as usual, this time they are in the middle of trouble, and oh what trouble it is (see below)!

Setting: Bayport.

Where’s Fenton This Time?: He and the missus are off somewhere and don’t show up at all.  The one time we really need Fenton to ride to the rescue, he’s AWOL.  Fenton, you had one job…

Which Chums Show Up?: Chet, Biff, Jerry, Tony, Iola and Callie.  Chet gets the big role.

What’s Chet’s Hobby This Time?: Doing criminal voices again, I guess.  He hasn’t had any hobbies for a couple of books now.  Maybe Iola teased him too much.

Aunt Gertrude’s Dessert: A whole fudge pie, and then later some apple pie, and a big feast at the end.  If you don’t get hungry reading Hardy Boys books, you’re doing it wrong.

Plot: More jewel thieves in town (it’s a wonder any woman in Bayport has so much as an earring left).  Hurd Applegate shows up again (see The Tower Treasure), and again, his jade gets stolen.  It’s called a safe, Hurd, look into it.  Meanwhile an abandoned house is purchased and the new owner hires Frank and Joe to solve the mystery of how someone is able to leave threatening notes in the middle of a completely sealed room.

Review: The ending of this one makes your hair stand on end.  It’s an are-you-kidding-me moment where you cannot believe what you just read.  Usually the boys get beat up, or threatened to get dumped in the ocean or something.  But look at that cover.  This is at the end when the boys are tied up and a bomb is set to go off and kill them.  Obliterate them!  And there is NOTHING they can do about it.  They cannot get untied, they cannot reach the bomb, they know it will go off at 3am and all they can do is watch that clock tick to their doom.  Blow up the Hardy Boys?  Was Mr. McFarlane so sick of writing these books that he indulged in a little fantasy here?  You read this ending and you are shocked at the potential violence here.  And the bad guy is really, really spiteful!  No confession at the end for this jerk.  Even after he’s caught, good luck finding the stolen jewels.  Phew!  This one’s intense.

Score: 8

10: WHAT HAPPENED AT MIDNIGHT

10

Who Wrote It?: Franklin W. Dixon

C’mon, Who Really Wrote it?: Leslie McFarlane in 1931

Was It Revised?: Yes, in 1967 by Tom Mulvey

Cover: Rudy Nappi, blue, yellow, nighttime in the park in the rain.  This is one of my favorite covers. Frank and Joe look serious and grown up, the rain effect is beautifully done with the lights burning yellow in the background as the clock is about to strike midnight, and there is Anchor Pete just like in the book. Wonderful cover.  Simply magnificent work by Mr. Nappi.

Setting: Bayport.

Where’s Fenton This Time?: California, working on a case that, natch, ties into the boys’ case.  Chapter XX cavalry!

Which Chums Show Up?: Chet, Biff, Jerry, Iola and Callie.

What’s Chet’s Hobby This Time?: Nothing.  He does speak well of his jalopy when it gets insulted, so I suppose he was spending his time on Queenie.

Aunt Gertrude’s Dessert: Some undescribed cake.  Harrumph.  At least give us some details of the food, please.

Plot: Robberies that vary in location from time to time to stay one step ahead of the law, and this time it’s in Bayport, that notorious nexus of nefariousness.  Frank and Joe are asked to grab a nifty spy radio some scientist had invented, but the radio is a Hitchcock MacGuffin.  The real story is the gang of thieves who decide to get rid of the Hardy Boys since they are getting in the way.  There’s kidnapping, plane crashes, a guy who uses an anchor as a weapon (did you not see the cover?  That’s chapter 19 right there!), stolen cars, the works.  Yet it’s all Bayport.

Review: This is a good one.  It’s a tightly contained story without any traveling or odd side plots or Chet hobbies and the like.  Crooks versus Hardy Boys, with the motif of the clock striking midnight repeated throughout the book.  This is a simple mystery well told.

Score: 9 (8 for the pretty good story, extra point for the terrific cover)

9: THE GREAT AIRPORT MYSTERY

9Who Wrote It?: Franklin W. Dixon

C’mon, Who Really Wrote it?: Leslie McFarlane in 1930

Was It Revised?: Yes, in 1965 by Tom Mulvey

Cover: Rudy Nappi, just a bit of red and yellow, but more brown and blue this time.  A daytime scene right out of the book.  This time instead of them staring at a bad guy from a distance, they are in full investigative mode.  Good cover.

Setting: Bayport, plus briefly the Caribbean and Montana.

Where’s Fenton This Time?: Oh, busy doing his own investigating, but he’s now mostly out of the picture.  No cavalry needed here.

Which Chums Show Up?: Chet, Biff, Iola and Callie.  Mostly Chet.

What’s Chet’s Hobby This Time?: Speaking like a dead man.  You had to be there.

Aunt Gertrude’s Dessert: Both strawberry short cake as well as gingerbread with apple sauce and whipped cream.  Frank and Joe are full.  Chet could use a little more.

Plot: Someone is stealing platinum parts from an air shipping company.  Frank and Joe become employees to investigate.  A dead man keeps speaking (but remember the Scooby Doo rule!).

Review: Not bad at all.  The boys get to do a lot of flying, something that becomes a key part of their investigative tool box for most of the series.  I think the 1950s and 1960s loved the idea of freedom through the air because the Hardy Boys sure do love them some flying.

This book has a good mystery, gang members who throw grenades, a presumed dead pilot who keeps haunting the living pilot who took his job, a tornado, a severe storm on an island, Chet being humorous in a way that ties right into the plot, and chattering bad guys in the end as we wrap it up.

And now we are done with the single-digit books, and it’s time to move into the Hardy Boys classic period with some very interesting books coming up.

Score: 7